Curating FRW’s current exhibition, Art of Green, was a great opportunity for me to meet different local artists and designers who are all linked by the idea of sustainability. Each brought a different perspective to what “being green” means and how sustainable practices can be applied to art-making and design.
For some artists, sustainability is about careful consideration of materials and processes, avoiding waste and encouraging an economy of means. Aris Georgiades (whose sculpture Weary serves as an icon for the show) takes discarded items from everyday life—such as ladders and school desks—and re-purposes them into evocative sculptures. Through the process of recycling, he breathes new life into old objects and creates metaphors for human adaptation to changing circumstances.

Similarly, designer Steven Teichelman uses reclaimed materials—like discarded magazines and wood planks—to create elegant sculptural works and furniture pieces. Steven rigorously plans his process before constructing any work to insure the least amount of wasted material and energy. He is strongly influenced by traditional Japanese craftsmanship, and his appreciation for joinery is especially evident in Square Head.

For other artists, sustainability is more about message than materials. Through their art, they hope to raise awareness of environmental issues and the need for greener lifestyles to better sustain biodiversity, natural landscapes, and even our own urban environments.
Photographer Carol Freeman is currently documenting 483 threatened and endangered species in Illinois. By doing so, she challenges us with this question: how can we all help to sustain the wildlife that surrounds us? Carol uses low-impact techniques when photographing her subjects—she doesn’t use a tripod for fear of damaging fragile habitats. Her work inspires appreciation for nature in our own backyards, and she hopes people will consequently work to save it.

Photographer Jane Fulton Alt’s series Burn is more metaphorical, but no less concerned with sustainability. Her impressionistic images of prairie burns address the idea of lifecycle—that life and death are part of the same process—and to sustain the prairie, periodic burns are necessary to destroy invasive species and to add nutrients into the soil. This cycle implies the role of humans as responsible stewards needed to help sustain our natural landscapes—and our own ways of life.


